Fig.2 John Constable The Cornfield 1826 National Gallery, London Born into a prosperous family in the village of East Bergholt, Suffolk, Constable’s early display of aptitude and passion for painting ...

This is one of four reports produced by researchers in the project Reshaping the Collectible: When Artworks Live in the Museum. Each offers a perspective from one of four practices that are changing ...

Suspended, collapsed, stacked, wrapped or folded, the works of Phyllida Barlow spring from an interrogation of some of the most fundamental aspects of sculpture: its physical attributes and its ...

Cansu Çakar: New Rarities From 19 October 2024 Rotunda, Tate St Ives, Porthmeor Beach, St Ives TR26 1TG Open daily ...

You can now find us at RIBA North, Mann Island, while our Royal Albert Dock home is temporarily closed for redevelopment. Our new space is smaller than our building on the Dock. Visitors can enjoy two ...

‘I feel that I can best express myself, that I can best give outward form to certain inward feelings or ambitions by the manipulation of solid materials – wood, stone, or metal. The problems that ...

Developed as part of the Documentation and Conservation of Performance project, the Performance Specification is a document designed to capture written information ...

Tate Library Cataloguer Andrey Lazarev explores the life and work of Konstantin Rotov and Boris Efimov, two popular cartoonists represented in the world’s largest Soviet art and design collection, now ...

New research has solved the mystery about J.M.W. Turner’s watercolour sketches, which were previously thought to show the notorious fire of 1834 at the Houses of Parliament. As cataloguer Matthew Imms ...

As part of her internship with the Tate Learning and Research department in summer 2018, Luisa Karman spent some time embedded within the Collection Care Research team. In this article she reflects on ...

Jack Burnham’s systems aesthetics was one of the first, fully developed, critical theories of postformalist artistic practice. Yet Burnham, undeservedly, is little known today. Recovering, reprising ...

Andrew Cummings reports on a talk by the artist Tehching Hsieh, featuring a response from Amelia Groom (editor of Time in the Documents of Contemporary Art publication series) and a discussion ...