You can now find us at RIBA North, Mann Island, while our Royal Albert Dock home is temporarily closed for redevelopment. Our new space is smaller than our building on the Dock. Visitors can enjoy two ...

Louise Nevelson once noted that ‘artists are born collectors’.1 The artist herself was a life-long collector and that pastime ultimately came to inform how she worked, culminating in her monumental ...

Fig.2 John Constable The Cornfield 1826 National Gallery, London Born into a prosperous family in the village of East Bergholt, Suffolk, Constable’s early display of aptitude and passion for painting ...

Tate Online aims to help fulfil Tate’s mission to increase public understanding and enjoyment of British and modern international art. Given the rapidly developing scope and potential of digital ...

Karin Hindsbo oversees the day to day operations of Tate Modern, chairing the Tate Modern Management Team and representing Tate Modern on Tate’s Executive Group. She also holds overall responsibility ...

This is one of four reports produced by researchers in the project Reshaping the Collectible: When Artworks Live in the Museum. Each offers a perspective from one of four practices that are changing ...

Bernd and Hilla Becher first began their project of systematically photographing industrial structures in the late 1950s. This paper, first given at a conference at Tate Modern, investigates the ...

16 to 25? Want £5 exhibition tickets, events, creative opps and discounts? Sign up for a free Tate Collective account ...

Andrew Cummings reports on a talk by the artist Tehching Hsieh, featuring a response from Amelia Groom (editor of Time in the Documents of Contemporary Art publication series) and a discussion ...

This article summarises the key concerns of Pseudo-Longinus’s On the Sublime, and considers their interest for one of the most influential translators of the treatise, Nicolas Boileau (1636–1711).

In Bernard Perlin’s Orthodox Boys 1948 (Tate N05956; fig.1), the two Jewish teenagers waiting for a train in New York’s Canal Street subway station appear apprehensive, yet stoic and still, as they ...

Meryon 1960–1 (Tate T00926) brings the central problem in the interpretation of Franz Kline’s work into focus: in several senses, Kline’s ‘breakthrough’ – a term that will be problematised below – ...