This report provides a comprehensive analysis of the economic contribution of the UK’s film, high-end TV, video games and animation programme sectors. This is the fifth report in the series on the UK ...
RaMell Ross‘ lyrical adaptation of Colson Whitehead’s novel adopts the point of view of two teens in a brutal 1960s reform school, asking the audience not to simply observe their reality, but feel it.
Venue hire The BFI’s central London venues can be hired for screenings, meetings, conferences and events. Our venues include state-of-the-art cinema projection, unrivalled technical presentation and a ...
As actor, director and stunt co-ordinator, Sammo Hung is one of the legendary figures of Hong Kong action cinema. Here the 72-year-old reflects on the era of practical, physical action and his long ...
Born in Sunderland 100 years ago, Norden is little known today, but she exuded glamour and confidence in a string of ‘bad girl’ and femme fatale roles in post-war British cinema.
In our 1959 summer and autumn issue, Jonas Mekas, the then editor of the American magazine Film Culture, reports from the inside, as it were, on new trends in the non-Hollywood American cinema.
Of course, they’re all worth revisiting or discovering with younger family members. As are Casablanca (1942) and The Big Sleep (1946), which are back on the Beeb on Boxing Day. But, this year, they ...
The BFI is a charity. The income available to us to deliver our charitable activities comes from the following sources: The BFI has a good record of increasing its self-generated income, which is ...