So as has become our tradition, here is a look at some of OperaWire's editorial team's picks for their personal favorite ...

To learn from Maestro Paolo Arrivabeni about his journey before he steps on the podium to conduct an opera or a symphony is ...

The opera begins with Rigoletto opening that box and caressing Gilda’s bloody dress. That leads us into the past with the ...

The sensibility, ethereality, and cunningness of “The Rake’s Progress” are even more pronounced in the revival of Olivier Py ...

In his program notes, the director, Pier Luigi Pizzi, writing about “Il Ritorno di Ulisse in Patria,” stated that “the opera ...

Glyndebourne has announced the appointment of Laura Jukes to the role of Director of Audiences.

Francis Poulenc and Georges Bernanos’s “Dialogues of the Carmelites” is one of the twentieth century’s greatest musical ...

An early gem by Donizetti is reborn as part of the #donizetti200 project during the Donizetti Opera Festival’s tenth ...

General Director of the Teatro alla Scala Dominque Meyer has condemned the boos against soprano Anna Netrebko at the opening ...

Russian baritone Mikhail Timoshenko began his musical and theatrical training in Mednogorsk, then at the Franz Liszt ...

Following on from the previous day’s performance of Monteverdi’s “Il Ritorno di Ulisse in Patria,” Ravenna’s Teatro Alighieri ...

Gianandrea Noseda conducted the Philharmonia Zürich in a nuanced interpretation of the score. The lively sections were ...