Missoula Slim is sitting on a worn wooden stage, guitar in hand, looking out at a small crowd. It’s just after 9 p.m. on a Wednesday night at Cheatham Street Warehouse, and a dozen or so musicians are ...
Shao’s singing leans clean and sweet, making his forays into aggrieved harshness all the more notable: a curl of vocal fry on the bridge of “Origami Waste” contrasts with the jangly carbonation of the ...