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INTERVIEW: The screenwriter behind the first two "Jurassic Park" films returns after nearly three decades away, and tells ...
If you’re going to let dinosaurs run amok, it’s good to have some ground rules. That’s how screenwriter David Koepp saw it, ...
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David Koepp is Hollywood's go-to scribe. He's back with a fresh start for 'Jurassic World Rebirth'Koepp is the master of the “bottle” movie — films hemmed in by a single location or condensed timed frame. From David Fincher’s “Panic Room” (2002) to Steven Soderbergh’s “Presence” (2025), he excels ...
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Jurassic World Rebirth writer reveals the one scene from the original Jurassic Park book he was determined to make happen in ...
Unfortunately, there’s very little I can say about it other than that we finished shooting about three weeks ago,” Koepp said. “I think it looks fantastic and it comes out next June.” Under the threat ...
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Screen Rant on MSNThe Strict Jurassic World Rules The New Movie's Director Had To FollowExclusive: Jurassic World Rebirth director addresses the secret nine franchise commandments developed by the original Jurassic Park screenwriter.
From David Fincher’s “Panic Room” (2002) to Steven Soderbergh’s “Presence” (2025), he excels at corralling stories into uncluttered, headlong movie narratives. Koepp can write anything ...
David Koepp — screenwriter of the original Jurassic Park — returns decades later with a new film that strives to return the franchise to its scary thrill-ride roots: "I wanted to make dinosaurs ...
It’s only after he’s bent double to keep himself from fainting and finally grabbed a seat on the ground that we can see the tears in his eyes, the joy and disbelief at witnessing something he never ...
Kevin Bacon plays a man haunted by a teen girl's ghost in "Stir of Echoes." Koepp's terrific movie earned good reviews and a modest box office, but it was overshadowed by The Sixth Sense, in part ...
But in their follow-up to the tech thriller Kimi, longtime friends director Steven Soderbergh and screenwriter David Koepp say that Presence was never conceived of as or intended to be a horror movie.
Koepp’s scenes, confined to the two-story house or just outside it, play out as acts of voyeurism, sometimes a line or two in a bedroom, sometimes longer scenes roving around the house.
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