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Koepp is the master of the “bottle” movie — films hemmed in by a single location or condensed timed frame. From David Fincher’s “Panic Room” (2002) to Steven Soderbergh’s “Presence” (2025), he excels ...

INTERVIEW: The screenwriter behind the first two "Jurassic Park" films returns after nearly three decades away, and tells IndieWire how and why.

EXT JUNGLE NIGHT An eyeball, big, yellowish, distinctly inhuman, stares raptly between wooden slats, part of a large crate. The eye darts from side to side quickly, alert as hell. So begins David ...

He gave a 50-page treatment to Koepp to turn into a script. “It’s even more focused than I’ve ever seen him on a movie,” says Koepp.

Koepp is the master of the “bottle” movie - films hemmed in by a single location or condensed timed frame. From David Fincher’s “Panic Room” (2002) to Steven Soderbergh’s “Presence” (2025), he excels ...

Koepp is the master of the “bottle” movie — films hemmed in by a single location or condensed timed frame. From David Fincher’s “Panic Room” (2002) to Steven Soderbergh’s “Presence” (2025), he excels ...

Back then, Brian De Palma, whom Koepp worked with on “Carlito’s Way” and “Mission: Impossible,” took to calling him “dinosaur boy.” Koepp soon after moved onto other challenges.