There are ideas aplenty in Roger Q. Mason and Lovell Holder’s meta-minded theatrical spectacle, but much of it gets bogged down in an overly stage-centric conceit. “Lavender Men” began, as seems ...

You know the image: The square-jawed man in his finely pressed suit. The smiling wife in her pearls and coifed hair. Both waving from the porch of their white-picket fence home. They represent the ...

The flair for the theatrical is at the core of “Lavender Men.” The film is set in a small theater where a rather mediocre play about Abraham Lincoln is being staged. But no sooner has the proverbial ...