In 2018–19, MoMA collaborated with Google Arts & Culture Lab on a project using machine learning to identify artworks in installation photos. That project has concluded, and works are now being ...

Director, Glenn Lowry: Here we have a chance to examine this maquette made in cut paper to create a stained-glass window. Matisse was commissioned by the Time Life Company to create this composition.

In 2018–19, MoMA collaborated with Google Arts & Culture Lab on a project using machine learning to identify artworks in installation photos. That project has concluded, and works are now being ...

Curator, Leah Dickerman: This silkscreen includes an image of John F. Kennedy, whom Rauschenberg greatly admired. After the assassination, Rauschenberg was uncertain whether he should use the image.

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Narrator 1: 7–0. Broken Obelisk. Made between 1963 and 1967 by American artist Barnett Newman, 1905–1970. Cor–ten steel, in two parts, overall twenty–five feet five inches high by ten feet six inches ...

Curator, Leah Dickerman: Double Rauschenberg was one of the blueprints that Rauschenberg made with artist Sue Weil, his wife. And it was made after the first stint that they had at Black Mountain ...

The New Objectivity (Neue Sachlichkeit) emerged as a style in Germany in the 1920s as a challenge to Expressionism. As its name suggests, it offered a return to unsentimental reality and a focus on ...

Artist, Faith Ringgold: I love that red that he dances around with. He became as radical again in his 70s as he was almost 40 years earlier. The surfaces became so bright and so exploding with color.

MARINA ABRAMOVIĆ: When the war start in Bosnia, it was so difficult time for me. I was not there. I was living since long time outside of the country. And I remember so many artists immediately react ...

The selected works are among the most iconic in MoMA's collection. They share a common medium—painting—and represent various steps in the development of new artistic languages at the turn of the ...

Director, Glenn Lowry: In her earlier performance, Rhythm 0, Abramović surrendered complete control to her audience as she stood impassively, next to a table with objects that they could use on her as ...