Purchase this and other timeless New Criterion essays in our hard-copy reprint series. Not so at the Teatro alla Scala in Milan, where the opera premiered in 1831. Prior to its welcome new production, ...

The next day’s email blast from the Times reported “Officials Recover Rifle and Seek Gunman ‘of College Age’ in Charlie Kirk ...

On The First King of England: Æthelstan and the Birth of a Kingdom, by David Woodman.

But on balance I think that the late Australian philosopher David Stove was right: the leading characteristic of the Left it ...

On new productions of Richard Strauss’s Die Liebe der Danae and Fauré’s Pénélope, at the Bavarian State Opera.

That written agreement will soon be null and void, as the National Gallery has announced this week that it will be building a ...

Wagner’s Ring of the Nibelung, a mythical tetralogy with an ambition to relate nothing less than the creation and destruction ...

Rusalka’s watery realm, accordingly, is a basement with leaky pipes, where she is kept with other creatures, perhaps her ...

Thomas Mann openly converted from a chauvinistic rejection of all politics in Reflections of a Nonpolitical Man (1918) to ...

The opera’s plot, which is based on the assassination in 1792 of King Gustav III of Sweden at, yes, a masked ball, proved ...

On American poetry, medieval psalms, Sèvres porcelain, London doors & more from the world of culture.

The statue is clearly meant to be read as a challenge to the nearby mythological and biblical heroic sculptures of ...