MARINA ABRAMOVIĆ: When the war start in Bosnia, it was so difficult time for me. I was not there. I was living since long time outside of the country. And I remember so many artists immediately react ...

MARINA ABRAMOVIĆ: When we was Australian desert and living with the Aborigines, we was looking to this report of astronauts who said that only construction who can be seen from moon, human-made, is ...

Jerry Gorovoy: I’m Jerry Gorovoy. This hanging bronze figure is called the Arch of Hysteria. Louise had actually been in psychoanalysis from 1951 all the way up until the 1980s. At the beginning of ...

Jean Dubuffet, “Anticultural Positions” (lecture, The Arts Club of Chicago, 1951), reprinted in J. Dubuffet (New York: World House Gallery, 1960), 192. Jean Dubuffet, “Anticultural Positions” (lecture ...

Curator, Deborah Wye: This work is titled Femme Maison. And that meant to Louise Bourgeois either “woman house” or “house woman” in French. She was a native of France and always went back and forth ...

Auguste Rodin quoted in François Dujardin-Beaumetz, Entretiens avec Rodin (Paris: Paul Dupont, 1913), 65. Ibid, 66. Rodin, quoted in Albert E. Elsen, Rodin’s Art (New York: The Iris & B. Gerald Cantor ...

Artist, Richard Serra: I had built, I think, six or seven large lead pieces, all dealing with the relationship of a pole and a plate to the wall. But I got very dissatisfied with the wall pieces; that ...

Pinning Matisse used pins (probably sewing pins), thumb tacks, and thin nails to secure the cut forms; for small formats the artist would work on a board while sitting in a chair or in bed. As ...

How do I apply a promo code to my membership renewal? If you receive an offer for a discount on your membership renewal, please log into your account before starting ...

Italian, 1907–1998Engineer, Agitator, Constructor: The Artist Reinvented, 1918–1939. The Merrill C. Berman Collection at MoMA Edited by Jodi Hauptman and Adrian Sudhalter, 2020 Exhibition catalogue, ...

Contemporary and Modern Art Perspectives (C-MAP) is a cross-departmental, internal research program at The Museum of Modern Art that fosters the multiyear study of art histories outside North America ...

Glenn Lowry: Clark called these works "Bichos," or "critters." Connie Butler: : The implication being that these are small beasts or animals or in some way animated and living forms. If you look ...