Oppenheimer’s latest film, The End, is a Golden Age, postapocalyptic musical crying out from the depths of the earth.

The Act of Killing” director Joshua Oppenheimer reveals what drove him to infuse a postapocalyptic tale with song and dance ...

Moving from documentary to the narrative format, Oppenheimer's urge to make a musical about the end of the world was rooted ...

Every year is full of good movies that remind us of "the power of storytelling." "The End" reminds us how dangerous that ...

It’s a 2½-hour postapocalyptic musical that takes place in a bunker deep underground among the last surviving family on Earth ...

Director Joshua Oppenheimer, previously a documentarian who has chronicled dark acts of self-delusion, shifts to a ...

The Oscar-nominated filmmaker stopped by Here & Queer to talk with Peter Knegt about his audacious take on the end of the world.

Deep in a bunker, a family keeps on singing in the year's most nightmarish piece of future shock. Director Joshua Oppenheimer had never made a musical before.

Just as they drink wine with their lavish meals despite its sourness, they sing out their emotions despite the shared fiction that they don’t have any—their excess must be sustained despite all ...

Part end-of-days fairy tale, part family drama and, most unexpectedly, part song-and-dance musical, this debut dramatic ...

When Oppenheimer's original idea to complete the trilogy, a go at the oligarchs who profited from the purge and yet remain in ...